Hollywood Hair Stylist Dr. Boogie Captures The Ultimate Merger Look with Toccara and Opens New Salon “The Beauty Parlor by Boogie’s Secrets”
Hollywood, CA – As the fabulous super model Toccara makes her debut on Season 2 of “The Ultimate Merger” on TV One, you better believe she will be bringing her “A” game. With fourteen eligible bachelors vying for her attention, a girl has got to look her absolute best. For hair that speaks volumes, there is only one doctor in town to call, and Toccara called the one and only, Dr. Boogie.
As the man known for his defining signature styles, Dr. Boogie sets the pace for a season of high fashion and fun with Toccara’s trend setting tresses. With an image best described at ‘couture pin-up’ Dr. Boogie keeps her mane fierce, fabulous and funky. Having developed Eve’s hallmark platinum short cut, creating Kimora Lee’s sexy glam look and defining Lisa Raye’s signature style, Dr. Boogie now brands Toccara with an illusion that will set a new tone in salons around the country.
North Hollywood – It has been three years since busy television executive Lea Walker decided to moonlight as an aerial fitness studio owner. Her Aeriform Arts center has since literally taken off, with hundreds of students testing the conditioning feats of aerial hammocks, lyra, aerial yoga, hanging silks and pole dance. To celebrate her success, Aeriform Arts will present “The Elements” a student showcase and party on Saturday, November 22 from 7:00 p.m. to 10:00 p.m. Aeriform Arts is located at 5625 Lankershim Blvd. in North Hollywood, CA. The event is free and open to the public. Bad Kitty, the number one name is pole dance and fitness apparel, is the official event sponsor.
The evening will include performances by students as well as teachers, a special appearance by Karmagraphy, Los Angeles’ premier Bollywood fusion dance company, music, food, drinks, raffles and more. Performing instructors include Tamysen Malles on trapeze, Jane Rose on aerial hammock, Peppa Pou performing a pole dancehall piece and Candice Cane on pole.
“I’m ecstatic that Aeriform Arts has solidified its presence in the aerial arts community within these three years. Our studio provides a non-judgmental, co-ed environment for everybody and body type to come and explore these wonderful skill sets. Our instructors are not only well recognized in their respective fields, they are also amazing and very supportive. Our students run the gamut of young to older, male and female, large and small. In addition to classes, we host workshops and special events at the studio,” cites Walker. “Overall, as a fitness agenda, hammock, silks, lyra and pole have leaped into mainstream awareness. They are no longer a novelty or perceived as just for performers and I believe Aeriform Arts has been instrumental in growing this awareness.”
Aeriform Arts is open daily and is located at 5625 Lankershim Blvd. in North Hollywood, CA. Fly the friendly skies at Aeriform Arts at http://aeriformarts.com or call 818-980-AERI (2374).
Hip Hop Heroes Digital Underground Celebrate 25 Years by Crowdfunding New Film and Music with Indiegogo Campaign
“D.U. Days: Adventures in Digital Underground
the Apprenticeship of Tupac Shakur”
Next year, 2015, pop music’s hippest heroes, Digital Underground (D.U.), will celebrate the 25th anniversary of their debut, earth shattering, multi-platinum album “Sex Packets” which featured the runaway hit single “The Humpty Dance.” In preparation for the occasion, original founder and D.U. member Chopmaster J has joined forces with filmmaker and director Abdul Malik Abbott (“Streets is Watching,” “State Property”) to produce the documentary “D.U. Days: Adventures in Digital Underground the Apprenticeship of Tupac Shakur”. The celebratory effort will be supported via a rewards-based Indiegogo crowdfunding campaign that fans can get involved with and join by visiting http://igg.me/at/D-U-Days.
Along with a series of orchestrated music releases planned to commemorate as well as revive the group’s positioning in hip hop, Chopmaster J will be releasing “Sex Packets II” featuring new versions of D.U. classics written and produced by S.O.T.U. (Sun Of The Underground) and featuring an all new D.U. lineup; and unveiling the “D.U. Days’” soundtrack which features, from Chopmaster J’s archive collection, exclusive never before heard tracks of the late Tupac Shakur.
Recognized as one of the first hip hop bands, Digital Underground included Chopmaster J, Shock G, Money B, DJ Fuze and the then 18-year-old Tupac Amaru Shakur. The group’s meteoric rise to fame in the early ’90′s was accentuated with chart topping hits like “Doowutchyalike,” “Freaks of the Industry,” “Same Song” and “Kiss You Back.” The band made waves with their colorful and costumed attire, animated stage antics and innovative dance styling and moves.
Digital Underground is best remembered for turning hip hop on its proverbial head and invading the realm of pop with their 1990 pivotal Grammy nominated release “The Humpty Dance.” “The Humpty Dance” climbed all the way to #11 on the pop charts, #7 on the R&B charts, and #1 on the Billboard Rap Singles chart. In 2008, “The Humpty Dance” was ranked #30 on VH1′s 100 Greatest Songs of Hip Hop and #65 on VH1′s 100 Greatest Songs of the 90s in 2007. The song was selected in the musical reference book, 1001 Songs You Must Hear Before You Die: And 10,001 You Must Download and nominated for Best Rap Video at the 1990 MTV Video Music Awards. “The Humpty Dance” is one of the most sampled songs recorded by a hip hop/rap artist. Shock G and Money B performed as “Digital Underground” at the BET Hip Hop Awards in 2010.
The group’s contribution to history has tentacles that reach even further though. From their 12 inch drop, “Doowutchyalike” to their debut album “Sex Packets,” D.U.’s music unfastened a door in hip hop that was previously non-existent, mixing mad merriment, mayhem and sex with rhyme, rhythm and rap. Factor in the detail that rap music’s biggest legend, Tupuc Shakur, started his music career with the group as their roadie, dancer and emcee and the D.U. legacy is all but cemented in the annals of pop music history.
The crux of the anniversary celebration, the feature length documentary film, “D.U. Days: Adventures in Digital Underground the Apprenticeship of Tupac Shakur,” will chronicle the turbulent times of the hip hop super group. Chopmaster J and Abbott plan to take the viewer on a historic tour recounting D.U.’s rise and fall. The film will recount a time when the mega rap tour was in its heyday. From sold out US tours, to Tokyo sex clubs, to the fall of the Berlin Wall, the young irreverent hip hop band from the San Francisco Bay Area traveled to every corner of the world entertaining millions of eager pop and hip hop music fans.
Filmmaker and director Abdul Malik Abbot
Abbott, who directed, co-wrote and edited the platinum-selling, short film / music video “Streets is Watching,” and directed the underground hip hop cult classic, “State Property,” both starring hip hop icon Jay Z, believes the documentary will play a crucial role in music history. “The movie is about the rise and fall of a would-be hip hop dynasty during the ‘Golden Age of Hip Hop,’” he explains. “But more importantly, the film features the birth of the career of music giant, Tupac Shakur. Fans who contribute to the Indiegogo crowdfunding effort will play an important part in helping to document this significant time in pop culture.”
“This project will be a must have for any true hip hop head,” adds Chopmaster J. “The inclusion of some of Tupac’s never before released first recordings are alone worth the price of admission!”
Crowdfunding participants can donate $5.00 and become a part of hip hop history while collecting unique D.U. memorabilia! Monies raised will support the completion of the documentary for a 2015 release.
As the lyrics from “The Humpty Dance” advise “stop whatcha doin’” and go to http://igg.me/at/D-U-Days now to help recapture this legacy in hip hop history! Also check out Digital Underground at www.HipHopEarlyDays.com or www.dudays.com .
View official video for “D.U. Days: Adventures in Digital Underground the Apprenticeship of Tupac Shakur,” at D.U. DAYS: Adventures in Digital Underground the Apprenticeship of Tupac Shakur [Official Video] .
Pole Dancing Isn’t Just For Strippers Anymore, Everyday Women Take the Stage at the Amateur Pole Art Showcase End of the Year Shows
Comments OffPosted in Popular PostsOct 16, 2014
Los Angeles, CA – Everyday women will prove that the sport of pole dancing is no longer just for strippers when they take the stage, in costume, at a historical bikini bar on Sunday, October 26 during Amanda Leigh’s Amateur Pole Art Showcase Pre-Halloween Party. Held at the World Famous Cheetahs Club Hollywood, show time begins at 8:00 p.m. and doors open at 7:30 p.m. Tickets are $12.00 at the door. Cheetahs is located at 4600 Hollywood Blvd. in Los Angeles. Final year-end dates include Sunday, November 2 and Sunday, December 7, with more dates to be announced for 2015.
Leigh, a pole dancing student and successful entrepreneur, has been producing and hosting the Amateur Pole Art Showcase for the past year. Many of the performers are doctors, lawyers, executives, teachers and mothers who take pole classes for exercise and self-empowerment. Due to the popularity of the event, it is held once, sometimes twice monthly due to a consistent standing room only reception!
Leigh says, “The Amateur Pole Art Showcase is like music’s version of an open mic night. On one hand, it gives women an opportunity to apply what they learn in pole class before a live audience. Some are performing for the first time ever in front of people. On the other hand, it gives women the opportunity to live out their fantasy of dancing at a strip club.
Performers can have that experience in a safe and supportive way because the audience is full of friends and family members, both male and female, cheering them on and tossing money on the stage, as they express themselves through an amazing mix of art, athleticism, and sometimes erotica.”
Amanda’s own personal pole dance journey led her on a mission to empower women. A former anorexic and food addict, she found that even after years of medical treatment and other self-help modalities that cured her food issue, she couldn’t fully recover from body dysmorphic disorder. Pole dance lessons taught her to love and appreciate herself and her body in new ways. An avid pole dance enthusiast now, her Amateur Pole Art Showcase serves to bring the art of pole dance to a broader audience.
“The Amateur Pole Art Showcase is bringing pole dance as an art and sport into the mainstream,” Leigh says. “There is still an association with stripping when you say that you pole dance. There is nothing wrong with stripping. It’s a job. We are pole dancers though. Many people don’t know that pole dance is a sport and an art like gymnastics or ice-skating. I put my showcase in a venue where women typically strip so people can see the difference. Yes, it is hard for some people to conceive, but I guarantee you that when they come to the showcase they will completely understand. “
For ticket information and performance sign up details, contact Amanda Leigh at firstname.lastname@example.org.
Follow her on Facebook at https://www.facebook.com/therealamandaleigh .
Actress Janet Hubert Visits Orlando to Mobilize Women to Vote in the Midterm Election During Black Women’s Roundtable “Don’t Count Us Out Tour”
Orlando, FL – From dangerous Stand Your Ground laws to voter suppression schemes, the state of Florida is known for a host of issues that negatively impact the quality of life for citizens in communities of color. Actress, producer and activist, Janet Hubert, will talk about the importance of voting to combat unjust laws and the overall need to stay healthy, wealthy and wise during the Florida Black Women’s Roundtable (BWR) Don’t Count Us Out Tour. The event will be held Saturday, September 13, 2014 at the Doubletree by the Hilton Orlando at SeaWorld.
Sponsored by the Florida Coalition on Black Civic on Participation (FCBCP) along with Orange and Osceola County Black Women’s Roundtable, the goal of one-day event is to bring together national and local experts for roundtable discussions designed to educate, uplift and motivate women and girls to vote and/or urge their family and friends to vote in the midterm election. Tickets are free for 15-18-years-olds and $25 for adults. Seating is limited and pre-registration is required. For more information call (321) 285-6297 or visit www.fcbcp.org.
“Black Women’s Roundtable is conducting this tour through the state of Florida to mobilize women to get their communities to the polls and send a clear message – DON’T COUNT US OUT,” said Salandra Benton, convener of FCBCP, a local affiliate of the National Coalition on Black Civic Participation. “In Florida we are constantly fighting for our rights – that’s why we’re so excited to welcome actress Janet Hubert to speak during the luncheon. Ms. Hubert epitomizes a strong black woman on the screen and off. She has been a shining example of an artist/activist who understands the power and significance of their celebrity and uses that position to empower others.”
Hubert is best known for her role as the sassy and witty, “Aunt Viv,” in The Fresh Prince of BelAir, but in recent years the award-winning actress has gained a reputation as a producer, activist, and author, penning her own memoir, Perfection Is Not A Sitcom Mom, and the children’s book JG and the BC Kids. She has advocated for many years on health issues, and even addressed representatives on Capitol Hill. She also served as an ambassador for the National Osteoporosis Foundation and worked with the U.S. Surgeon General to implement better nutritional education for young girls. Currently Hubert is touring the country performing her self-produced one woman show, From Broadway To TV…Now Back To Me.
“We are bringing together women and girls of all ages to share problems and information, support each other in sisterhood, and organize so we can work collectively in our struggle for economic security and justice across the state and nationally,” adds Diana Johnson, chair of Orange County Black Women’s Roundtable.
In addition to Hubert, speakers include: Desmond Meade, president of Florida Rights Restoration Coalition, and state director for Faith in Florida, Live Free; Sheena Rolle, Florida State Voices; Kionne McGee, author and Miami Florida State Representative, District 17; and community activists, Debra Francis, Greg Jackson, Gail Gardner, and Nedenia Thomas.
Florida Black Women’s Roundtable convenes BWR network gatherings throughout the state. The nonprofit, nonpartisan group is an affiliate of the Washington, DC-based Black Women’s Roundtable Public Policy Network, an intergenerational women’s policy network of the NCBCP. Convened nationally by civil rights leader, Melanie L. Campbell, BWR stays at the forefront of championing just and equitable public policy on behalf of Black women and girls and promotes health and wellness, economic security, education and global empowerment as key elements for success.
NOTE TO MEDIA: BWR conveners and Janet Hubert are available for interview. To schedule an interview contact Edrea via email: email@example.com or 770.961.6200.
PHOTO CREDIT: James J. Kriegsmann Jr.
Los Angeles – When the fingers of Isha Love glide across the piano, a dazzling cascade of melody rushes forth spraying the atmosphere like the mist from a waterfall. “Jars of Waters,” her new offering, is a fluid tapestry of 14 luscious piano solos that pour sweet liquid libations for the soul. With ten gospel-tinged jazz originals and four unique interpretations of traditional spiritual hymns, Isha Love’s “Jars of Waters” is a tall refreshing glass to drink from.
A classically trained pianist, Isha Love emerges on the music scene as a source of “living water.” With “Jars of Waters,” Isha hopes to share and spread ever-abundant love. The inspirational solo performances on the CD transcend genres, riding the waves of jazz, classical, gospel, worship and pop. Whether she is surfing across the keys, like a boogie board bouncing above the ocean or rafting quietly down the river’s bank, tickling the ivories like a paddle propelling the current, her compositions shower light and shimmer with the presence of love.
Isha reveals that she only composes when she feels led by the Spirit. In fact, each track from “Jars of Waters” emerged from a series of compelling visions she believes God used to guide her musical journey. Song titles like “Rain On Me,” “I’ve Got Peace Like a River,” “There is a Fountain,” “Living Water,” and the title track “Jars of Waters” reveal her personal plunge to sacred depths.
“One day as I was praying,” Isha reveals, “I saw a large field with hundreds upon hundreds of empty jars. God stood at the beginning of the long line and was holding a pitcher. It contained water and God was pouring the water into the jars. He explained that the many jars represented the songs that I have within me, that are waiting to be filled – and told me that the water that fills the jars are His Spirit. During the vision, God explained that when the jars are filled with Living Water, each becomes a completed song anointed by Him. Each song is one of these ‘jars of waters.”
Growing up in South Korea, Isha began playing piano in kindergarten. In high school, she realized that music was her life’s calling. Though proficient in classical music, she gravitated towards jazz and moved to the U.S. to attend the Berklee College of Music in Boston as a jazz and piano performance major. During that time, a friend introduced her to a church whose congregation was largely Jamaican and Isha began playing gospel music for their weekly services. Isha then started playing more worship services at numerous African American churches, where she developed a unique jazz/gospel style. She continues performing at many different churches and venues to this day.
Upon moving to Los Angeles to pursue her career, she quickly became a versatile full time session player and performance artist and booked gigs for TV commercials for companies like Honda and Nike. Andrea Crouch, Kim Burrell, Frank McComb, Lisa McClendon and the female contemporary urban jazz collective Jazz In Pink, featuring keyboardist Gail Jhonson and violinist Karen Briggs, are just a few of the talents she has shared the stage with.
Isha Love’s “Jars of Waters” is a beautiful baptism of healing sound and wonder. Take a dive and receive holy refreshment at www.IshaLove.com and on iTunes at https://itunes.apple.com/us/album/jars-of-waters/id915192471 and at CD Baby at http://www.cdbaby.com/cd/ishalove .
Quench your thirst with Isha Love at Isha Love promotional video.
Project Awakening’s Stop The Violence Walk in Chicago to be Led by Original Cast of Dr. Clifford E. Turner’s “The Awakening”
Chicago – When Dr. Clifford E. Turner, founder of Liberty Temple Full Gospel Church and World Outreach Ministries, presented the “The Awakening” in 1990, his vision galvanized not only the local Chicago community, but also eventually an estimated 100 million viewers around the world. The show, a production from his Holywood Studios, followed the perils of a young, south side Chicago inner city teenager, Marquita Perry, and her struggles with premarital sex, drugs, peer pressure, and gang violence. “The Awakening” started as a two-part skit for television and evolved into a seven season, 150 episodic Emmy Award winning series, becoming the longest running Christian mini-series ever produced. An inner-city minister, Turner’s goal for “The Awakening” was to capture the attention of youth and to speak to them about the high costs of low living, and specifically the perils of living in a culture of violence.
That goal is still a mission almost 25 years later as the original cast of “The Awakening” returns and joins Dr. Clifford E. Turner and Holywood Studios to facilitate the Project Awakening Stop The Violence Walk on Saturday, August 30, 2014. The walk will take place starting at 6200 S. Lake Shore Drive on Chicago’s south side at 7:30 a.m. and is a determined show of strength toward empowering the local community against the continuing onslaught of violence. Turner and his team hope to propel worldwide attention, support and prayer while creating teamwork between the family, churches and the police to work together for peace.
The Project Awakening campaign is Dr. Turner’s latest broad based concept to facilitate change. Sponsors and participants can support the Stop The Violence Walk via a variety of initiatives. In addition to personally joining the walk, residents and non-residents alike can participate with prayer, donations and also by purchasing the original “The Awakening” series, available for online viewing at http://www.awakening.com/.
All proceeds will help to support selected organizations in their fight against violence along with assisting Project Awakening’s own endeavors, including the expansion of The Awakening Life Lessons curriculum targeted for use in schools nationwide. Some of the Project Awakening partners include The NFL Alumni Chicago Chapter (http://www.nflalumnichicago.org), Billionaire Minds (www.billionaireminds.org) and Love in Action (www.4loveinaction.org).
As Dr. Turner expresses, “I realized when I started Holywood Studios in 1985 that the vision I received from God would impact lives for years to come. ‘The Awakening’ series has been a most powerful transformative tool. To have the cast come back almost 25 years later to continue with the work we started is an amazing testimony. Our communities are under siege right now with nonsensical violence escalating daily. This campaign effort is more than a fundraiser, it is a time for the entire community to join together in a day of camaraderie, inspiration and above all, hope.”
Chief Apostle Dr. Clifford E. Turner is a powerfully progressive and trend-setting leader whose bold and convicting messages of salvation, healing, deliverance, and restoration have torn down the barriers of religion while building up the lives of the people in this nation and countries across the world for over 35 years. Apostle Turner founded Liberty Temple Full Gospel Church and World Outreach Ministries on March 14, 1982, in Chicago, Illinois; the church started with two members, with Dr. Turner as Pastor. Through the leading of the Holy Spirit, Apostle Turner became the trailblazer of an apostolic movement that the City of Chicago had not seen before. By 1985, Liberty Temple had become one of the fastest growing ministries of its time, outgrowing three locations in three years. His Holywood Studios serve as an extension of his ministry, reaching the masses through film production.
The Project Awakening Stop The Violence Walk is the second venture sponsored by Holywood Studios and the Project Awakening. A successful walk was staged in Zion, IL late last July.
To join the walk, become a sponsor, or to support the event with a purchase of the original series, now available for online viewing, go to http://walk.awakening.com/ for additional details.
View the star of “The Awakening,” Tiffany J. Curtis, as she offers a personal invitation to The Project Awakening Stop The Violence Walk at:
star of “The Awakening,” Tiffany J. Curtis, as she offers a personal invitation to The Project Awakening Stop The Violence Walk
Los Angeles – The Little Miss African American Scholarship Pageant (LMAA) comes of age this year with its 21-year anniversary celebration on August 10, 2014 at the Wilshire Ebell Theatre in Los Angeles. Actresses Laila Ali and Meagan Good will co-host, joining Dawnn Lewis, the mistress of ceremonies, as a bevy of little beauties, ages six to 12, make their way on stage to compete for over $10,000 in scholarships and prizes. Pageant producer Lisa Ruffin notes that this year’s event will also celebrate past contestants who have grown up and gone on to accomplish wonderful feats!
Judges this year include Penny Johnson Jerald (ABC-TV’s “Castle); Ella Joyce (TV One’s Belle’s); Lamman Rucker (TBS’s “Meet the Browns”); Shamicka Lawrence (VH-1′s “Hollywood Exes”) and TV/radio host Mother Love, to name just a few. The pageant starts at 4:00 p.m. Tickets may be purchased online at www.littlemissafricanamerican.org as well as at the door. VIP and reserved seating is available.
As the longest running pageant of its kind, the Little Miss African American Scholarship Pageant continues to extend its history of dedication to a legacy of nurturing young girls into proud and intelligent young women. The original creation of actress/ choreographer Lisa Ruffin, the Little Miss African American Scholarship pageant has consistently emphasized brains over beauty, positively impacting the lives of thousands of impressionable young women.
Cites Ruffin, “These young ladies just keep me going strong. This year, as we turn 21, we honor them all, past and present. Alycia Jones was the very first LMAA. Our second, Alexis Witherspoon competed in the Olympics Trials, then graduated from USC. LaTanya Fisher was LMAA 1995 and she graduated from USC as well. Myisha Lyseight was LMAA 1996. She earned her B.S. in Psychology from UCLA. She went on to complete her Masters degree in Speech-Language Pathology at Syracuse University in New York. She also played it forward by joining the LMAA staff last year.”
“The state of Texas produced LMAA 1998, Lauren Hayes. Lauren graduated from the very prestigious Notre Dame and is currently working there. Then there is Miss Shakina that Academy Award winner Mo’Nique crowned,” continues Ruffin. “She graduated from USC and is in Law School at Howard University. We train our girls to wear their C.A.P. (Confidence, Awarness & Pride)!”
For more information and to purchase tickets go to http://littlemissafricanamerican.org/ .
For a visual overview of the pageant and its impact on contestants, go to http://vimeo.com/15018101.
The British are coming! The British are coming ! There will be a British invasion at The Mint, Los Angeles’ legendary cultural enclave for live music, on Saturday, July 19 when Global Journey Media presents popular UK artists, the singing duo, Unsung Lilly, in a benefit concert performance for Better Vision For Children (BVC). Master keyboardist and producer, Wayne Vaughn, of Earth, Wind & Fire fame, is producing the show, adding his special brand of funk to the English equation. Performance painter Norton Wisdom, known for his spontaneously painted imagery, will also capture the sounds on canvas during the evening. The Mint is located at 6010 West Pico Blvd in Los Angeles, and show time is at 9:15 p.m. A VIP after party with the musicians and the BVC members will follow the show featuring DJ Level UP in the Mint’s private event room.
Unsung Lilly is a quirky new band from the United Kingdom, fronted by the stunning vocal talents of Sera and Frankie. With their mix of stylistic influences, the two, alongside their band, have been recognized overseas as a modern day Fleetwood Mac. Pairing the musicality of old school Maroon 5, with the atmospheric vibe of John Mayer, combined with the quirkiness of Paloma Faith and Tori Amos, Unsung Lilly offers a wicked cocktail of musical ingredients. Their visit to the states finds them stirring things up a bit, as they engage the groove master, Wayne Vaughn, in their musical mix.
Wayne Vaughn is heralded as one of the music industry’s consummate musician/writer/ producers. A brilliant pianist, he has penned numerous classics for the legendary Earth Wind & Fire including “Something Special,” “I Wanna Be with You” and “Let’s Groove Tonight.” Vaughn will bring along some of the music industry’s best session players to create a musical kaleidoscope specifically for Unsung Lilly!
The entire evening will benefit Better Vision for Children (http://www.eyeseebetter.org/), a non-profit charity, endorsed by Stevie Wonder, which has for 27 years, provided free comprehensive vision screening for underprivileged children to prevent and cure partial or total blindness resulting from, or related to, amblyopia (Lazy Eye), Autism and Eye Cancer.
For VIP as well as regular priced tickets, go to http://themintla.com/event.cfm?id=159424&cart.
Check out Unsung Lilly at http://www.unsunglillyofficial.com/.
For Better Vision for Children sponsorship opportunities, contact Global Journey Media at firstname.lastname@example.org .
The British are coming to The Mint and it’s gonna’ be a party!
Los Angeles – Event host Kevin Rouse, alongside partners Darryl Pitts, Chuckie Miller, Marva King and Dantae Dupree, are gearing up for a live weekend amid the momentum of the “BET Experience” happening in Los Angeles in late June. On Saturday, June 28, the promotional crew will present the beautiful actress Wendy Raquel Robinson, television’s popular Tasha Mack from BET’s hit series “The Game,” as the host of their “The City of Angels Celebrity Red Carpet Experience,” to be held at the Bonaventura Brewing Company, 404 S. Figueroa Street, 4th Floor in Downtown Los Angeles, from 8:00 p.m. to 2:00 a.m. Robinson will be joined by KJLH radio personality, Kevin Nash, recognized at the voice of BET on the BET Awards and the Celebration of Gospel shows. Former Death Row artist Danny Boy will also perform his new single.
“A bevy of big name talent will descend upon Los Angeles this particular weekend,” explains Rouse, who along with Pitts and Miller boasts a roster of events that includes “The Annual Elegant New Year’s Eve by the Sea,” “L.A. Nights” and “Legends of Hip Hop.” “This event is a cumulative effort of some of L.A.’s finest party planners as we offer a spectacular presentation that all of the city’s professionals can be a part of. Our very special guest of honor, the delightful Wendy Raquel Robinson is joining us, so I’m sure we can anticipate several of her celebrity friends dropping in that night as well.”
Bottle service and VIP tables are available. Drink specials and complimentary hors d’oeuvres will be served from 8:00 p.m. to 10:00 p.m. Attendees from the BETfestivities will receive a $15 discount by showing their ticket stubs.
Reach out to Kevin Rouse directly at (213) 926-2809 or at email@example.com or Darryl Pitts at 323-974-1917 for ticket information.
Strategic Media Books Releases “Tarnished Heels” an Investigation into the University of North Carolina’s Tarheel Scandal
Chapel Hill, NC – The world of sports has been a long time bastion for standards of American integrity, ethics and fair play. So much so that sport scandals, more than any other, have the jarring propensity to rock society to its core. Athletes, coaches, managers and agents are held to a higher bar and when that code is violated, it seems like the collective momentarily halts and takes note. From the Penn State college football nightmare to the recent Donald Sterling escapade with the Clippers, disgraces involving athletes make an indelible imprint on the psyche of our culture.
Author Rob J. Anderson, a North Carolina freelance writer and statistician, understands this well. With his new release, “Tarnished Heels: How unethical actions and deliberate deceit at the University of North Carolina ended ‘The Carolina Way’” from Strategic Media Books, he unfolds an explosive investigation of the athletics program at the University of North Carolina and the drama that shook not only the campus but the entire nation. Anderson diligently chronicles the numerous transgressions, events, and discoveries that redefined what had reverently been known in North Carolina as “The Carolina Way.” An impressive nonfiction work, the book boldly takes to task all parties involved and questions the authenticity of what had been for the university a sterling reputation, both athletically and academically.
With shocking detail, “Tarnished Heels” scrutinizes the players, coaches, faculty and university leaders who all played roles in the outrage, and in many cases appear complicit. What Rob Anderson uncovers is no less than staggering! From the football coaches who were also deemed to be working with NFL agents; to players who received cash payments, travel expenses and impermissible academic help, “Tarnished Heels” leaves no stone unturned.
Anderson’s detailed findings reveal a string of discrepancies including sports agents who were hired to teach classes at the university; a parent of a basketball All-American hired as a university employee; numerous fraudulent classes where countless basketball and football players were supposedly enrolled; dozens of grades forged and changed without permission and basketball players receiving impermissible benefits from a convicted felon, who was also directly connected to UNC alumni.
“Tarnished Heels” does not leave the NCAA blameless in the Tarheel scandal either. The author raises doubts about the effectiveness of the NCAA to properly and fairly handle the multiple issues. Ambiguity has always been evident in the penalties the NCAA hands down to different college programs, but for UNC at Chapel Hill it appears that, in some cases, major athletic/academic infractions at the university were ignored entirely. As Anderson closely examined and dissected events and scrutinized historic public documents, he found strong evidence that the issues of fraud and benefits may have started far in the past and actually spanned the years of multiple basketball National Championships at the school.
Anderson’s conclusion about the overall atrocity is disturbing but sobering. Still not willing to truly examine the depth of the issues that have negatively affected its campus, academics and revenue sports teams, the University of North Carolina at Chapel Hill remains in moral limbo, even though what was once proudly known as “The Carolina Way” is forever tarnished.
With some of the NCAA’s toughest critics currently being invited to testify before the U.S. Senate Committee on Commerce, Science, and Transportation, including Mary C. Willingham, a former reading specialist at the University of North Carolina at Chapel Hill who stepped down amid the long-running scandal, Rob Anderson’s “Tarnished Heels” is required reading for anyone interested in the welfare of the University of North Carolina at Chapel Hill, the state of big time college athletics, and the quality of higher education throughout the United States.
“Tarnished Heels: How unethical actions and deliberate deceit at the University of North Carolina ended ‘The Carolina Way’” is more than just a literary reveal; it is a reflection of a moral institution whose ideology is tarnished indeed, but also a statement about society at large.
For more information and to secure your copy of “Tarnished Heels” go to www.strategicmediabooks.com or Amazon.com at http://www.amazon.com/Tarnished-Heels-Unethical-Deliberate-University/dp/193952122X/ref=sr_1_1?ie=UTF8&qid=1399676224&sr=8-1&keywords=tarnished+heels .
Note to media: Rob J. Anderson is available for interviews. Contact firstname.lastname@example.org .
London, England – Like a simmering plate of succulent seafood paella, Spain native Grace Rodson is serving a mouth watering concoction of Latin flavors with her debut release “Samba in My Bones” from Global Media Group and JFM Records. Skillfully stirring the flavors of flamenco, Latin, funk, Celtic and yes, samba in her delectable pot seasoned with a pop music base, Rodson sizzles as an engaging new international artist with an enchanting look and sound.
“Samba in her Bones” is a tantalizing dish of nine original recipes for dance, straight from Rodson’s heart. Performed with the intention to incite uninhibited movement, Rodson’s luscious vocals carry the listener into a realm of whirling, syncopated rhythms. While the title track sways with Brazilian heat and intensity, moving sonic beats through the air, “Way of Life” is an uptempo concoction that sprinkles in a dash of fervent hip hop flow from UK rapper T. Smith. Rodson sweetens the offering with “It Will Rain,” a seductive and sensual serenade that pulses, sways and swings with compassion. “Everything,” another entree on the menu, is a beautiful ballad that renders strength and hope.
A native of Galicia, Spain, currently living in London, Grace Rodson is a product of the music she was surrounded by as a child. “Galicia is a land of migrants. I grew up listening to salsa, cumbia, merinque and bachata.” Expresses Grace, “My great-grandparents lived in Cuba and Texas, my aunties in Venezuela and Brazil, my grandparents, mother and uncle in Argentina. So I am a wonderful smorgasbord of Latin sound, dance and rhythm. ‘Samba in My Bones’ is a celebration of the diversity in the varied cultures around me with movement being the common denominator. Music and dance are the essence of my expression. For me this project is a journey of my love stories and music is my ultimate love!”
Grace Rodson was the winner of the GSD Latin Music Awards 2011 in the categories of Best Album, Best Female Singer and Best Song. She tours and performs throughout Europe and is a singer and bandleader for Yes!!! Brazil Show, a Latin-Brazilian group. She is also the bandleader for “The Godfather of Salsa in the United King, Roberto Pla and his Latin Ensemble, who are known as the best salsa band in Europe.
Grace Rodson may have ‘samba in her bones’ but after grooving to her debut project, music lovers will have Grace Rodson in their hearts. The project is available on iTunes at https://itunes.apple.com/us/album/samba-in-my-bones/id867447922 .
Comments OffPosted in Non Profit NewsApr 3, 2014
- Contributors to Black Women\’s Roundtable report, Black Women in the U.S., 2014 stop for a photo during the BWR Summit kick-off at the National Council of Negro Women headquarters. Pictured (L-R):Dr. L. Toni Lewis, SEIU Healthcare; Joycelyn Tate, Telecom Talk; Melanie L. Campbell, Black Women\’s Roundtable; Felicia Davis, Building Green Network; Avis Jones-DeWeever, PhD, Incite Unlimited; Rev. Barbara Williams-Skinner, Ph.D.; and Carol Joyner, Labor Project for Working Families. PHOTO CREDIT: CIT-VISUALS
Washington, DC – A report released recently by Black Women’s Roundtable Public Policy Network (BWR), Black Women in the U.S., 2014, found that significant progress has been made since key historical markers however, there are many areas that remain in need of dire national attention and urgent action. The report was released during a legislative briefing at the historic headquarters of the National Council of Negro Women (NCNW). The event kicks off the BWR National Summit taking place over the next three days. ”This report is a quick glimpse at where we are. We use this document as a road map during our BWR summit,” says Melanie L. Campbell, president and CEO National Coalition and convener, BWR. “Black women are a powerful force and we plan to demonstrate that power by working collaboratively and intentionally across issues to usher in a new set of progressive polices and leaders to champion our cause. In the coming days, we will unveil specific details about the implementation of the Power of the Sister Vote!”
“We look at the tragedies and the triumphs surrounding Black Women’s lives across a variety of different indicators and areas of inquiry,” Adds Avis Jones-DeWeever, PhD, Incite Unlimited and editor of the report. ”Black women have made progress since key historical markers such as the 1964 Civil Rights Act, Brown v. Board of Education, and the onset of the War on Poverty, but many areas remain that need urgent action.”
The following are some of the key findings from Black Women in the U.S., 2014:
Black Women’s Health Still in Need of Dire Attention
- For Black women, having a baby can be deadly. The maternal mortality rate for Black women is fully three times that of white women and is on par with several developing nations.
Sixty Years Post-Brown, Education Still Separate, Still Unequal, Yet Black Women Still Excel
- While much recent attention has been focused on the degree to which Black boys are impacted by the school-to-prison pipeline. Black girls experience an out-of school suspension rate fully 6 times that of white girls.
- In spite of these challenges, over the past five decades, the high school graduation rates of Black women have jumped 63%, virtually eliminating the gap with Asian women (down to 2%), and significantly narrowing the gap with white women (7%).
Black Women Work, but Lag Behind in Pay
- As they have from the beginning of their experience in America, Black women lead all women in labor force participation rates. Even as mothers of small children, Black women are overwhelmingly likely to work.
- Yet, despite their strong work ethic, Black women remain behind economically largely due to a doubly disadvantaged wage gap and over-representation in low-wage fields.
No Golden Years for Black Women
- Largely due to years of pay disadvantages, decreased access to employer-sponsored pension plans, and a stunning lack of overall wealth accumulation, Black women over 65 have the lowest household income of any demographic group in America.
- Still, Black women are especially reliant on Social Security in their retirement years. In fact, if it were not for social security, the poverty rate for Black women would more than double.
Labor Unions Make a Difference in the Working Lives of Black Women
- Even though Unions have been under attack in recent years, Black women have maintained a higher rate of unionization than other groups.
- Black women who are covered under collective bargaining agreements make higher wages and have greater access to benefits than women of all races or ethnicities who are non-unionized.
Black Women Vulnerable to Violence and the Criminal Justice System
- Black women are especially likely to be a victim of violence in America. In fact, no woman is more likely to be murdered in America today than a Black woman. No woman is more likely to be raped than a Black woman. And no woman is more likely to be beaten, either by a stranger or by someone she loves and trusts than a Black woman.
- Though it is true that Black women remain more likely than any other group of women in America today to go to prison, the incarceration rates of Black women have declined tremendously in recent years. In fact, Black women’s incarceration rate has fallen from six times that of white women, to now, three times that of white women.
Black Women Mean Business
- Black women are the fastest growing segment of the women owned business market, yet Black women-owned firms trail all other women when it comes revenue generation. Black women receive only 6% of the revenue generated by all women-owned businesses. That compares to 29% received by white women.
- Though data is largely unavailable broken down by both race and gender, we can impute that if Black women were to receive merely 6% of the 5% government target for awards to all women, then Black women business owners would receive a stunningly low .3% of all federal contracts.
Black Women and Politics, Still Unbought and Unbossed
- Black women make up the most dynamic segment of the Rising American Electorate. In the past two Presidential elections, Black women led all demographic groups in voter turnout.
- And even without President Obama on the ballot, in the recent pivotal Virginia gubernatorial election, Black women once again, exceeded all other groups in turning out on Election Day. As such, Black women were a key factor in turning Virginia Blue heading into the 2014 mid-term elections.
- While Black women vote at dynamic rates, Black women remain woefully underrepresented in elected office. Black women hold only 3 % of state legislative seats, and less than 3% of seats in Congress. And 2014 makes the 15th consecutive year that no Black woman has held a seat in the United States Senate.
Black Women Trailing in the Technology Race
- Though proficiency in the STEM fields is widely acknowledged as a key for the workplace of the future, Black women lag far behind. Today, Black women only make up 2% of practicing scientists and engineers in the workforce.
- Many Black women in college studying STEM disciplines report feelings of isolation and experience toxic environments. Black female STEM students report being excluded from study groups, having difficulty finding study partners, and being assigned fewer tasks than other group members based on assumptions of incompetence.
BWR, an intergenerational women’s policy network of the National Coalition on Black Civic Participation (NCBCP), stays at the forefront of championing just and equitable public policy on behalf of Black women and girls and promotes health and wellness, economic security, education and global empowerment as key elements for success. For more information or a copy of the report visit www.ncbcp.org.
The Economy – Channel Hardy, J.D., National Urban League Policy Institute
Education – Avis Jones-DeWeever, Ph.D., Incite Unlimited
Politics — Elsie Scott, Ph.D., Ronald W. Walters Leadership & Public Policy Center, Howard University, Waikinya Clanton, NOBEL-Women
Business – Felicia Davis, Building Green Network. Women Flying High
The Labor Movement — Carol Joyner, Labor Project for Working Families,Robin Williams, UFCW
STEM — Joycelyn Tate, J.D., Telecom Talk Exposure to
Violence & the Criminal Justice – Avis Jones-DeWeever, PhD,Incite Unlimited
Health & Wellness — Avis Jones-DeWeever, PhD, Incite Unlimited andDr.L. Toni Lewis, SEIU Healthcare
The Retirement Years — Edna Kane-Williams, AARP
What’s At Stake: A BWR Public Policy Agenda for 2014 & Beyond Melanie Campbell, National Coalition on Black Civic Participation, Makani Themba, The Praxis Project, Rev. Barbara Williams-Skinner, Ph.D., Skinner Leadership Institute
BWR Civic Engagement and Empowerment Strategy (2014-2020)-Melanie Campbell, NCBCP, Letetia Daniels Jackson, Tandeka LLC, Groundswell Fund.
BWR, an intergenerational women’s policy network of the National Coalition on Black Civic Participation (NCBCP), stays at the forefront of championing just and equitable public policy on behalf of Black women and girls and promotes health and wellness, economic security, education and global empowerment as key elements for success. For more information or a copy of the report visit www.ncbcp.org.